At 08:35 05/14/2001 -0400, you wrote: >No solution....more related questions. > >Serious Pipe Organ questions/obsevations..... > >I question the tuning of the organ, It had been done the day before. >Are Organs purposely offset due to the differential in the size of the >pipes may cause different pipes to change with temperature at different >rates? Was the heat/air conditioning exactly the same as the day before?? Trying to tune a pipe organ is like trying to hit a moving target with a fixed artillery piece. All the different metal pipe materials/alloys and wood have different coefficients of expansion. Changes in temperature affect metal pipes quickly - I've heard them change within seconds of turning the organ on where the blower was sucking in air at a different temperature than the room where the organ was located, or when someone left the swell shutters closed. Changes in humidity quickly change the pitch of reed pipes - and usually in a different direction than any accompaning temperature change will move the flues. Rising humidity tends to make pianos go sharp, but will make the wood ranks of an organ go flat. >A440 Unisions between different sets of pipes do beat-- about 1 per >second. Celeste or "string" stops are purposely a little sharp _or_ flat to induce a "natural tremulant", otherwise there should be no beating. Stops within a division (great/swell/choir/echo/posativ/pedal, etc.) shouldn't beat. Between divisions is where the moving target really comes in. I don't _even_ wanna get into mutants and mixtures... >Bass below F2 or so seem sharp to me. Perhaps they use a machine. >Any comments of organ idiosyncrasies appreciated. Inharmonicity is generally so low as to be non-existant. ...and yes, organ tuners do tend to be a breed apart... Conrad Hoffsommer - Music Technician -mailto:hoffsoco@luther.edu Luther College, 700 College Drive, Decorah, Iowa 52101-1045 Voice-(563)-387-1204 // Fax (563)-387-1076(Dept.office) === Note new area code === effective 25 March 2001 ===
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