Terry Farrell wrote: "Now Beethoven played concerts on pianos that were below today's performance standards (at least as projecting on a stage goes). And my information is that he was able to make some pretty nice music. Was his pianos not beneath his playing skills? (Of course, I have read that he sent many a nasty letter to piano manufacturers describing how lousy their pianos were!) How do I explain to Mrs. AnypianowilldoforSusie that tenth-year-of-lessons Susie's playing progress would benefit from a good quality grand piano rather than that old ratty spinet. And what can we do about these %&*# piano teachers that teach on some gastly holding-together-with-scotch-tape-and-super-glue old &+#$ uprights? How do we tell them??????" I applaud, Terry. Simply tell them that the instrument that they play on has to be capable of conveying expression. In short, you have to be able to make music on it- with it. If they don't understand that, then they do it to make money. (The music teachers, that is. Beethoven was deaf after the Fifth Symphony anyway, saved alot on tuners fees I bet.) Kevin E. Ramsey ramsey@extremezone.com
This PTG archive page provided courtesy of Moy Piano Service, LLC