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Pretty good.
Terry Farrell
=20
----- Original Message -----=20
From: DALE ERWIN=20
To: pianotech=20
Sent: Sunday, November 18, 2001 7:58 PM
Subject: Re: Hamlet Davis bridge agraffes/ Reverse crown Steck
Hey Terry How did it sound?Just curious.
Dale Erwin
You say "that the board was a reverse crowned board with a =
positive set downbearing". Do you know if this configuration was the =
intent of the designer & manufacturer? Just curious. I have seen new =
Steinways with this board/bridge configuration, but as far as I know, it =
was a manufacturing anomaly.
Terry Farrell =20
=20
From: DALE ERWIN=20
To: pianotech=20
Sent: Sunday, November 18, 2001 9:48 AM
Subject: Re: Hamlet Davis bridge agraffes/ Reverse crown Steck
Tom and list
You know I have been following this thread and it is =
interesting to me how many makers tried out this idea. I rebuilt a =
George Steck 6 ft. grand last year with this arrangement. When I first =
encountered the piano the sound was absolutely magic. The sustain just =
floated for what seemed like forever . The more interesting thing was =
that the board was a reverse crowned board with a positive set =
downbearing. I mean bearing set pressing in the usual direction.
A bit more time consuming to string but what a gem. I keep =
finding all kinds of sound board conditions and configurations which =
aren't supposed to work that do and others that should that don't!=20
I have to figure that the weight of the Big Brass agraffes =
also contributed to the impedance properties of the board probably a =
sustain enhancing dynamic.
Ain't life interestin---Dale Erwin----- -----
From: Tom DriscollSent: Sunday, November 18, 2001 6:28 AM
To: pianotech@ptg.org
Subject: Hallet Davis bridge agraffes
Enclosed photo of Hallet Davis Grand referenced by Phil Ford =
in recent
discussion of bridge agraffes. Piano was built in 1890's and =
bridge system
is still in good condition. Photo courtesy of Moody Piano in =
Marlboro Ma.
Tom Driscoll
>
>
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