In a message dated 10/19/01 2:27:27 PM, drwoodwind@hotmail.com writes: << What an alternate temperament gives a composer or a pianist is like a painter's pallette; more tone color to play with. >> OK. Let me come clean. I've been a professional pianist my whole life. I have perfect pitch. I have a Master's Degree in Music. I am also a published composer with performance credits including the Chicago Symphony Orchestra. (And yeah, I tune a couple of pianos now and then.) So when people start talking about Chopin and the use of temperaments-other-than-equal, I thought I could speak with authority about it. The use of other temperaments has always interested me, but I just didn't think it would work especially well for Chopin. So I followed Ron Koval's offset chart for an Equal-Beating-Victorian temperament and tuned my Baldwin grand in EBVT (offsetting it from ET with my Cybertuner). Now it was my first try, so I'm sure it wasn't perfect, but WOW, it was beautiful! Chopin, too. Chopin, especially! I played for about an hour and was later getting to the store than I had hoped.
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