Shigeru Kawai regulation

David M. Porritt dm.porritt@verizon.net
Mon, 10 Sep 2001 16:01:33 -0500


Thanks Ed, the way I (mis)understood what you said, I thought; "I don't get it!"

dave

*********** REPLY SEPARATOR  ***********

On 9/10/01 at 2:31 PM A440A@AOL.COM wrote:

>Dave says explain this:
><<>     This is ONE reason, I keep my balancier as high as I can. The other
>>is  simply to reduce the total amount of work that the pianist's fingers
>must
>>do  in the course of a lot of play. When you consider that some of the 
>serious 
>>classical people spend four hours a day playing, the grams add up.  
>
>   Ah no,  I stated things poorly there.  When I said "balancier as high
>as I 
>can"  I was referring to its postion in escapement. I should have said, "I 
>keep my drop as high as I can". 
>   I don't get as clean an escapement when the drop is holding the
>balancier 
>BELOW let-off, I like them to be the same. 
> 
>
>>>Do you mean that you don't want the jack contacting the knuckle at rest>>
>  No,  I set the jacks by feeling the knuckle contact via the tender.  
>sorry for the phrasing. 
>Regards, 
>Ed


_____________________________
David M. Porritt
dporritt@mail.smu.edu
Meadows School of the Arts
Southern Methodist University
Dallas, TX 75275
_____________________________



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