Hello Joe???? Or anyone. Joe recently described "cheek lift", where a square grand case will twist and the back left corner and/or the front right corner will rise up due to string tension. Can anyone quantify the potential problems? I can see that regarding the belly, it will lessen downbearing, and regarding the action, it will cause the action frame to not sit flat on keybed, or if it does curve with the keybed, the hammer height will get affected, etc. The belly troubles can be largely corrected upon rebuilding by recapping bridges and/or lowering plate (remember, we are not talking about the ultimate in performance anyway), but the action troubles would persist. How much cheek lift commonly causes how much trouble? Just reletive terms. I can easily imagine 1/16" to 1/8" cheek lift will be of no major significance on an instrument (furniture?) like this. At the other extreme, one-inch of cheek lift would likely make the piano unplayable. About where is the point at which performance is commonly significantly affected? I measured 1/4" of cheek lift in the square I am refurbishing - with the plate out for several months. How much can I expect the cheek lift to increase when I reinstall the plate and bring strings up to tension? The question being, does the amount of cheek lift in an old square grand change much with strings in or out? Do we ever see piano case bending (front to back) in a modern/traditionally designed grand - i.e. does a Steinway D, a Bechstein A, or a Brambach grand ever bend up (front to back) under string pressure? If a normal grand does not bend, but the square does bend, is that because the case on the regular grand resists bending more, and/or is it the plate on the modern grand that is more stiff? Thanks. Terry Farrell
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