Voicing Technique

[Erwinspiano@AOL.COM]

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In a message dated 8/6/2002 3:04:10 AM Pacific Daylight Time, 
Richard.Brekne@grieg.uib.no writes:


> Subj:Re: Voicing Technique 
> Date:8/6/2002 3:04:10 AM Pacific Daylight Time
> From:<A HREF="mailto:Richard.Brekne@grieg.uib.no">Richard.Brekne@grieg.uib.no</A>
> Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A>
> To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A>
> Sent from the Internet 
> 
>              Ric

    Thanks that is exactly what I was after. What you describe is the results 
of hammers that cooperate and folks who understand how to get them in a 
voicing stable condition. Also In the states  think there are a few voicers 
that fall in to this catagory and by the way some are on this list.
    Cheers----Dale

> 
> Sure Dale... but just what do you want me to clarify ?
> 
> I suppose its the bit about how long a voicing lasts ???. If
> so I can say that I have seen the results of two people who
> I classify as voicing specialists, or masters. They are
> exceptional at creating the sound they want, and both get
> results that last a good deal longer then the length of a
> concert. 
> 
> That being said, 40 hours or so of such use will really be
> noticable, but I wouldnt go so far as to say the voicing is
> completely going even by then.. actually far from it.
> 
> I suppose its a bit relative... somewhat like a concert
> tuning. A very stable tuning in a good climate will survive
> a concert quite well. And can even survive a weeks use quite
> well, but for sure as time goes on you will increasingly
> notice a change.
> 
> Is this what you were after.
> 
> Erwinspiano@AOL.COM wrote:
> > 
> > In a message dated 8/3/2002 11:41:39 AM Pacific Daylight
> > Time, Richard.Brekne@grieg.uib.no writes:
> >                  Ric wrote
> > 
> > > Well, of course you may be right, and you are'nt the
> > > first I
> > > have heard make this comment, but I won't know for sure
> > > until I have mastered the style. That being said it
> > > seems to
> > > me that every time I have seen a really accomplished
> > > traditional voicer work on a set of good hammers on a
> > > nice
> > > instrument, the results are a bit longer lasting then an
> > > hour and a half serious work.
> > 
> > >>>>>>>>Could you clarify this Please?
> >


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