> If you raised it 5 cents and it went up 15-20, I'd investigate rendering, > hammer technique, and test blows. That's why I mentioned my success with others, but who knows. I suppose the bottom line is that with exceptions such as this, just don't worry about it. I mostly wondered if anyone else had noticed anything like this before. > Did you enjoy the false beats in the treble, too? False beats in the treble are a dime a dozen. It's the false beats in the tenor that are priceless! (Thanks for the humor, I needed that!) Terry Farrell ----- Original Message ----- From: "Susan Kline" <sckline@attbi.com> To: <pianotech@ptg.org> Sent: Friday, February 08, 2002 2:00 AM Subject: Re: Wierd Pitch Raise Results > At 11:50 PM 2/7/2002 -0500, you wrote: > >I also pitch raised a 1973 Kimball console today. The piano was all over > >the place tuning-wise, but was only about 5 to 10 cents flat on average. I > >made the small pitch offset correction as usual with the SAT, and after > >the pitch raise pass, the ugly son-&%-$-$#%&@ was a good 15 to 20 cents > >sharp. WHY? I went through it again without any pitch correction (the > >piano should have ended up perhaps 5 cents sharp) and every thing was like > >at least 10 cents sharp! > > <grin> > > If you raised it 5 cents and it went up 15-20, I'd investigate rendering, > hammer technique, and test blows. > > Did you enjoy the false beats in the treble, too? > > Susan >
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