At 07:02 AM 02/23/02 -0500, you wrote: >At 09:10 PM 2/22/2002 -0600, you wrote: >>Jon, >>If you hadn't told her, she'd probably have never known the difference. >>I have a Coleman 11 in one of my voice teacher's studio and as far as >>I know, she's had no complaints. The same in a practice room with >>Broadwood's Best. >> >>Avery >> >>At 05:28 PM 02/22/02 -0500, you wrote: >>>I offered a Moore Well Temperament to a vocalist who is more in the >>>operatic vein. >>>I set the temperament and asked her to listen. She said that is sounded >>>metallic and wanted ET. No problem. > > >Avery, >I'd rather give her the option with only the temperament set rather than >chance retuning the whole piano. And I would not spring it on someone >unknowingly after years and years of tuning their piano in my best attempt >at ET. > >As far as most people are concerned, there is only one way to tune a >piano. I like to offer them a variety but not force it on them. I understand what you're saying and I guess I didn't really think through what I said very well. In my situation, it's not a big problem to retune, plus these temperaments are pretty mild. More so than the Young, I believe. Sorry if I misrepresented what I thought I said! :-) Avery >Regards, > >Jon Page, piano technician >Harwich Port, Cape Cod, Mass. >mailto:jonpage@attbi.com
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