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Hello Isaac.
I read in Wolfenden that the brass instruments in orchestras are tuned =
to A 440 Hz, but they all have this ennoying feature to dramatically =
raise pitch (up to A 444 Hz) during concert performance, through warming =
up when played. So A 442 Hz would have been chosen to allow the whole =
performance (brass plus other more stable instruments) to be reasonably =
in tune, or, so to say, half less out of tune.
Is it so ? (Wolfenden is talking in beginning of this century, maybe =
brass instruments have evolved since then).
Best regards,
St=E9phane Collin
(Brussels, Belgium)
----- Original Message -----=20
From: Isaac OLEG SIMANOT=20
To: pianotech@ptg.org=20
Sent: Tuesday, May 07, 2002 10:15 PM
Subject: RE: 442 & back
Hello, Steve
Even Yamaha pianos are build for the 442 pitch lately I guess,( I've =
read that on their guarantee card) so it will not affect structure of =
the piano anyway.
The fact is that everyone (musicians) here is asking for "concert =
pitch" 442 as a standard.
Then, having to change pitch any direction is always a hassle, when I =
have to do that for Radio France for example, I need to be allowed to =
bring the piano to his desired pitch 2 days before the event, so it can =
stabilize better. After that the pitch stay as it is since another =
express demand comes.
On pianos with tensioned hammers, the difference in sound is sensible, =
and easily accepted by the instrument I believe, not that I don't like =
the 440 pitch, but I am more often dealing with 442, and get =
acquaintance with it.
Beside, if I sing a A by memory it is the 440 that I learned in my =
younger days, and I am more close to it than to 442 (generally, I know =
David will not believe me, but I recognize any note instinctually, and =
have a good notion of A440 when not too tired)
I wonder how high are your brass instruments tuned in USA ? Not that I =
am sure of that, but I believe that most brass and wind instruments in =
Europe are actually build to play at 442Hz .
Any info from wind players ?
All the best
Isaac OLEG
-----Message d'origine-----
De : owner-pianotech@ptg.org [mailto:owner-pianotech@ptg.org]De la =
part de Steve Kabat
Envoy=E9 : mardi 7 mai 2002 19:49
=C0 : pianotech@ptg.org
Objet : 442 & back
David- Obviously some educating is in order, to try to instruct =
people who feel that a higher pitch is needed. Other than that , I =
would:=20
a. refuse to tune at a higher pitch, citing structural piano =
reasons, tuning stability
etc.
b. insist that they give a few days lead time so that the =
piano can stabilize, and refuse to do it if they dont.
c. charge them a lot of money extra for all the hassle you =
have to endure so that one group in a million can have pitch set =
2 cycles per second higher. =20
I'm sorry, but I have little tolerance for this coddling of =
artists who mistake pitch=20
for brilliance or timbre. We as tuners need to educate =
them and insist on a=20
standard or else much much compensation for our trouble. =
I had a group=20
from Germany come to my school - I think they wanted 443 =
believe it or not,=20
and I broke the F# string above the bass/tenor break for =
my troubles. Yes. it=20
does affect even a nine-foot concert grand.
steve kabat
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