Susan, Thanks for the full explanation posts. And the article reference, which I will now go and read. Mike ----- Original Message ----- From: Susan Kline <sckline@attbi.com> To: Alan R. Barnard <mathstar@salemnet.com>; Pianotech <pianotech@ptg.org> Sent: Friday, October 18, 2002 12:46 AM Subject: Re: "white glue" > At 08:09 PM 10/17/2002 -0500, you wrote: > >Thanks for nifty post. But I don't understand the function of the white > >glue. Why not just a thickish CA like Bondini? Do you use white rather than > >Titebond just for the color? (It's one more thing to care--and protect from > >freezing) > > > >Plastic AND ivory? Any difference in reaction? > > > >Thanks, > > > >Alan Barnard > >Stickin' Down Keytops in Salem, MO > > I usually just use water-thin CA after being sure I have a good fit. > However, I think that the Elmer's-CA makes an even stronger bond, > and would be better in very dry climates, where it's hard to make > CA set sometimes. > > I use Elmer's because I don't like how thick the Titebond is, and > because Elmer's seems to give a longer working time. The yellow > color would be another reason to avoid it under keytops, though. > The white glue aids in setting the CA glue. (See my article -- > October 1997.) > > Elmer's seems to survive freezing quite well, though it seldom > would freeze inside a kit, inside a car, in Oregon. I carry > CA and Elmer's (both very small bottles) in my kit, and epoxy > in the car. Any other glue seems superfluous to me. > > CA seems to stick down both ivory and plastic equally well. The > difference is that if some gets on top of the keytop, it will > mar the plastic, but can be removed from the ivory without damage. > > Susan > > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives >
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