If you have different string heights in each section (like many older Bechsteins, for example) then you will have different hammer line in each section to make the blow distances equal. If the boring was done standard, then you will have different shank heights in each section as well. I will admit I've never seen a piano where the bass was bored the same as the tenor/treble. A shank farther off the rest cushion will not repeat so well as the one set closer. David Love ----- Original Message ----- From: "Richard Brekne" <Richard.Brekne@grieg.uib.no> To: "Pianotech" <pianotech@ptg.org> Sent: October 21, 2002 12:20 AM Subject: Re: key dip, dip in..... David Love wrote: > If string heights are different in all sections, why would you care about a > straight hammer line? You certainly wouldn't care to make the hammer line > straight through the bass? > > David Love > Kind of depends on the bore length to begin with me thinks. If, as Petrof themselves say do, you vary the bore length to match string height you have a different situation then if you have, as in this case a standard out of box set of replacements... or what ? Course when the first shoe shine reshaper comes along...... :) Interesting enough point though. We see curved string planes dont we, and rather randomly uneven ones as well. Can make for some interesting hammer lines that's for sure :) Question though, as long as we are on about this. Some pianos have a thicker cushion for the hammer rest rail in the bass then in the rest of the piano to compensate for higher shank position there (when so configured). So, what difference would that extra 3 mm or so distance between the rest cushion and the shank mean ? -- Richard Brekne RPT, N.P.T.F. UiB, Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives
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