This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Comments below: Some of my input below is playing the devil's advocate - I'm trying to = push this so that I might understand some of this stuff. Terry Farrell =20 ----- Original Message -----=20 From: <A440A@aol.com> To: <pianotech@ptg.org> Sent: Friday, October 25, 2002 11:33 AM Subject: Re: Soundboard Panel Grain Angle > Greetings,=20 > There are acoustic reasons for quarter sawn wood being used. Sound = > transmission is much better with the grain than across it, (something = on the=20 > order of 3 times faster,too?) I believe this is because there is a = loss of=20 > acoustical energy every time there is a change from one medium to the = next,=20 > and going across the grain requires the energy to go from one density = of wood=20 > to another with every "ring line", effectively losing energy at every = step.=20 Then it would seem that quarter sawn spruce would effectively = stop/minimize sound transmission across the grain. If the boards were = flat sawn, the sound would not have to cross between hard and soft = layers. Going along the grain, it would seem as though there might not = be much difference between flat and quarter sawn - just that quarter = sawn would be lots of little hard grain strips and flat would be larger = more continuous layers of hard wood for sound to "travel along". =20 > Harder material transmits the sound faster, too, so the harder grain=20 > transmits the sound better and faster than the softer "summer" wood.=20 I'll buy that. That applies to the previous statement. =20 > The more truly quarter sawn it is, the more contact there will be = between=20 > the harder grain and the bridge. Yes, I see that. What about if you had flat sawn and simply planed it = until you had a nice dense late-season growth ring near the surface? = Then you would have 100% contact with the harder grain and the bridge.=20 > There is a reason that the best sounding=20 > boards have the bridges directly connected to the ribs, since the ribs = > transmit the energy to the entire board with greater efficiency than = if all=20 > the energy had to spread across the grain from the bridge.=20 I suppose then this would get into advantages/disadvantages to having = the ribs quarter sawn or flat sawn or somewhere in between. Should they = be one way or another because of acoustical properties, or would/should = that decision be based on strength/stiffness properties of the various = cuts? SNIP ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/82/45/ab/11/attachment.htm ---------------------- multipart/alternative attachment--
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