> There are acoustic reasons for quarter sawn wood being used. Sound >transmission is much better with the grain than across it, (something on the >order of 3 times faster,too?) I believe this is because there is a loss of >acoustical energy every time there is a change from one medium to the next, >and going across the grain requires the energy to go from one density of wood >to another with every "ring line", effectively losing energy at every step. >Harder material transmits the sound faster, too, so the harder grain >transmits the sound better and faster than the softer "summer" wood. > The more truly quarter sawn it is, the more contact there will be > between >the harder grain and the bridge. There is a reason that the best sounding >boards have the bridges directly connected to the ribs, since the ribs >transmit the energy to the entire board with greater efficiency than if all >the energy had to spread across the grain from the bridge. (Del, Ron??? if I >am sinking into a quagmire here, be gentle as you yank the rescue ropes!) Hi Ed, I spent what seemed like half a lifetime and wrote what must have been a half dozen books arguing against this very stuff not that long ago. It's still in the archives if you want to read it, but I don't think I want to do it again on the list quite this soon. > Quarter sawn wood is >used in the tops of fine guitars, violins, and hurdy-gurdys for acoustical >reasons, (as well as the front and back of organ pipes). Is it really, or are there more mundane structural reasons? Ron N
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