Hi John,
If someone would take some time to redesign the Papp's mute, I would
certainly use it. At present, I find the plastic one that I have to be
almost useless. If they could strengthen the spring and coat the ends with
rubber material, I think more people would be interested in utilizing it.
To me, the Papp's mute is a great idea that was poorly executed in design.
But, that's just my opinion.
Corte
John Ross
<jrpiano@win.east To: spalding48@earthlink.net, Pianotech
link.ca> <pianotech@ptg.org>
Sent by: cc:
pianotech-bounces Subject: Re: Muting Pattern
@ptg.org
08/08/2003 12:00
PM
Please respond to
Pianotech
Hi,
Don't forget to try a Papp's mute in the treble.
Regards,
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
----- Original Message -----
From: "Michael Spalding" <spalding48@earthlink.net>
To: "Pianotech" <pianotech@ptg.org>
Sent: Friday, August 08, 2003 11:22 AM
Subject: RE: Muting Pattern
> Hi Corte,
>
> During this past year, I made the same change (from strip muting to
unisons
> as you go). I use a split mute, as described by Mitch Kiel on this list
> not too long ago. Tip: use narrow mutes, 1/4" or less, so they can fit
> between the hammer and the damper, or above the hammer, in the top treble
> damper section. Tuning the 3rd string to 2 open strings has been a
> challenge, but you can look on it as an opportunity to take your unison
> tuning to the next level. Besides, if your normal routine includes
> pounding the piano all over followed by checking and fixing unisons, you
> still have a safety net. The ability to tune unisons well enough to use
> them for interval checks seems to be one big thing that separates the
> experts from us novices. This would be a step in the right direction.
Go
> for it!
>
> Mike Spalding RPT
>
>
>
> > [Original Message]
> > From: <cswearingen@daigger.com>
> > To: <pianotech@ptg.org>
> > Date: 8/8/2003 8:35:58 AM
> > Subject: Muting Pattern
> >
> >
> >
> >
> >
> > Hello List,
> >
> > Since I started tuning part time about 3 years ago, I have always strip
> > muted the entire tenor and treble sections. I use a Verituner and set
the
> > center string of each tri-chord, check aurally, and once I'm satisfied,
I
> > pull in the unisons (always aurally).
> >
> > I would like to try switching to tuning unisons as I go. Can someone
> > experienced in this tell me their technique in moving the mutes around
> > (since strip muting is no longer an option with this method)?
> >
> > Do you use two mutes, one split mute, etc. I prefer to only tune one
> > string of a unison to another string so I want to try and avoid the
> > situation where I'm tuning one string of a tri-chord to the other two
open
> > strings of the tri-chord. However, I'm not sure if their is an
efficient
> > muting pattern for this.
> >
> > Any suggestions or ideas you could provide would be great.
> >
> > By the way, thanks with all your suggestions on voicing down my Yamaha
U1.
> > Here is the procedure I decided to try.
> >
> > 1. 50/50 alcohol/water solution applied to the hammers
> > 2. Taking a very small layer of felt off the hammers and then
polishing
> > with 320 grit emery cloth (I reshaped the hammers about 6 months ago so
no
> > further reshaping needed to be done)
> > 3. Ironed the hammers
> >
> > This produced the desired rich warm tone I had wanted for the longest
> time.
> > Next time, I'm going to try the steam method. Thanks again for your
> > advice!
> >
> > Thanks,
> > Corte Swearingen
> > Chicago
> >
> > _______________________________________________
> > pianotech list info: https://www.moypiano.com/resources/#archives
>
>
> _______________________________________________
> pianotech list info: https://www.moypiano.com/resources/#archives
>
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