> YEP. The first time I saw one I have never understood why grand > actions of today do not have them. Agreed. I have seen a few on modern grands. They work very well and you never snap C88 hammer off! > Another thing was the flange bushing in the split flange with > a screw to loosen or tighten the bushing. This was not on all > squares I think. That seems to be a good idea but it must have > drawbacks because it is not in use today. Agreed. The square I have in my shop now has this feature. I don't know of any drawback (beyond perhaps cost) and it sure seems like it would be a very nice feature. I know David Stanwood played around quite a bit with this feature in the earlier days of his touchweight metrology endeavors. He discarded the idea for some reason - I don't remember - it might say on his web site or in his series of metrology articles in the Journal - I know his actions covered in the first articles had the split adjustable flange. Terry Farrell ----- Original Message ----- From: "Richard Moody" <remoody@midstatesd.net> To: "Pianotech" <pianotech@ptg.org> Sent: Saturday, June 28, 2003 11:59 PM Subject: Re: Square Action Handle > > Are you talking about the little retractable metal handle in the > middle of the front of the keyframe? > > YEP. The first time I saw one I have never understood why grand > actions of today do not have them. > > Another thing was the flange bushing in the split flange with > a screw to loosen or tighten the bushing. This was not on all > squares I think. That seems to be a good idea but it must have > drawbacks because it is not in use today. > Other than that most of the other aspects of square grands > were useless to counter productive. Square grands were "for > market" items first and fore most. Grand pianos were being made > during the era of square grands, why where so many more squares > sold? People wanted a "box" rather than a "wing" (flugal). > They fit in with the decor more than the grand piano? They must > have been cheaper but I can't imagine how that could be since > forcing a grand piano into a rectangle seems to be twice the > effort of letting its design flow naturally from a straight hammer > line. > Other details such as oblong pins, tuning pins in the back of > the piano instead of the front, hammers that had to be shaped > solely to pass each other thus negating the shape of the hammer on > tone, and last but not least markedly inferior tone doomed the > square grand. In pursuit of a better tone for the piano of the > masses, the square, succumbed in 10 years (1890-1900) to the > upright. > As a piece of furniture they still have not been equaled as > far as state of the art of furniture manufacturing. Just imagine > the value of a square grand if it were a desk, or wardrobe > constructed of the same exquisite carpentry, woods and veneers. > There is much evidence to indicate the piano industry paid the > highest prices for woods and veneers, so thus only the very best > was used in pianos, the desk and furniture makers got second > ick. ---rm > > > > ----- Original Message ----- > From: Farrell <mfarrel2@tampabay.rr.com> > To: Pianotech <pianotech@ptg.org> > Sent: Saturday, June 28, 2003 5:11 AM > Subject: Square Action Handle, was: Avery Todd/Re.:My Post > > > > Are you talking about the little retractable metal handle in the > middle of the front of the keyframe? I don't think they all had > them. I have also seen the handle on several modern-type grands. > Every time I see one I think to myself that I will install one on > every action that comes through my shop! (But of course, never > have.) > > > > Terry Farrell > > > > ----- Original Message ----- > > From: "Richard Moody" <remoody@midstatesd.net> > > To: "Pianotech" <pianotech@ptg.org> > > Sent: Saturday, June 28, 2003 2:15 AM > > Subject: Re: Avery Todd/Re.:My Post > > > > > > ----- Original Message ----- > > > From: Farrell <mfarrel2@tampabay.rr.com> > > > To: Pianotech <pianotech@ptg.org> > > > Sent: Friday, June 27, 2003 10:22 AM > > > Subject: Re: Avery Todd/Re.:My Post > > > > > > > > > > I know Joe is a tough old brute. But I am counting on his > arms > > > being all but useless and his back huring so much after tuning > all > > > those square grands - it'll be no contest! ;-) > > > > > > > > Terry Farrell > > > > > > > > > > AND his belt buckle pulling off an ivory or two. Actually I > do > > > like the bracket that lets you pull the action out. Was this > on > > > every square? > > > ---rm > > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
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