Sneaky Steinway

Stéphane Collin collin.s@skynet.be
Sun, 8 Aug 2004 00:48:40 +0200


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Looks the same as my Hamburg model A from 1891.  Third bridge straight =
with two wound bichords and 7 wound trichords.  In my piano, the notes =
on that third bridge are a bit louder than the rest, and tend to sound a =
bit harsh.  Did you notice that on this one ?  I have been thinking that =
the two bichords on that bridge are meant to favor damping, as the two =
dampers on those notes are shorter, and bichords damp easier than =
trichords.

St=E9phane Collin.
  ----- Original Message -----=20
  From: Alan Forsyth=20
  To: Pianotech=20
  Sent: Sunday, August 08, 2004 4:21 AM
  Subject: Sneaky Steinway


  >>IF that is a Steinway, it's a Hamburg. The clue is the Capo bars in =
the Bass/Tenor/Treble areas. Either that or I haven't been paying =
attention to my Steinways, lately.<G> I'm saying it ain't a Steinway.
  Best Regards,
  Joe Garrett, R.P.T. >>


  It is a Steinway. This one has the third bridge. What amazes me is =
that the speaking length of the first wound string in the tenor, C sharp =
29, is about 13 inches shorter than its neighbouring plain string. The =
bass break starts at note E20.=20

   As you can now see the capo bar is only in the treble. The tenor and =
bass has the agraffes which made the piano an absolute pig to tune. The =
strings kept jumping back into the kink created by the agraffes.

  If anyone knows the model designation please tell me. The serial # is =
90964.  (1899)

  The soundboard is plastered in decals dedicated to kings and queens, =
emperors and many other a%"&*%*# 's governing Europe at the time, so it =
is definitely a Hamburg.

  Regards
  Alan Forsyth

  PS.  Something I learned yesterday; before moving a grand piano, clean =
it out so all the debris inside doesn't slide down to the bass end when =
the piano is tilted on it's side. There was an old coin in this one that =
lodged itself under the back of the bass keys preventing the hammers =
from falling below the level of the pinblock and consequently making it =
difficult to extricate the action. =
%"&*^"%>@*&"!............................................................=
.....



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