Hi Stephen, Could you elaborate more on this: At 01:28 AM 15/08/2004 -0400, you wrote: >He goes on.... > >>Once the escapement mechanism has operated, the >>hammer is in free flight, after which nothing >>the artist can then do with his hands has the >>slightest influence on the resulting sound > >...which obviously overlooks the critically >important contributions of action "impacts" to >the overall sound of the piano, not to mention >the potential for "after-escapement" behaviour by >the pianist to influence factors that can affect >the sound-scape, or as part of the overall >mechanical interaction between the pianist and >the instrument (think golf or tennis). The >pianist is a lot more than just a finger on the >key. Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T. mailto:pianotuna@accesscomm.ca http://us.geocities.com/drpt1948/ 3004 Grant Rd. REGINA, SK S4S 5G7 306-352-3620 or 1-888-29t-uner
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