Hi Ric, > Sarah... read my last paragraph... I open up for exactly that. I do > question the <<scientific basis>> ryan opened up with tho. Thats > quantifiable... so lets see the quantities documented before we stated > they are or are not. so. ... er... Yes, you did. ;-) This is all part of the larger scientific process. It starts out with observation, then theorization, then hard testing of hypotheses linked to the theory, then refinement of the theory, etc. It's not so simple a process as we lead our undergraduate students to believe! ;-) So nobody is being unscientific here. Y'all are just talking about different stages of the scientific process, which is fine and good. Testing indeed needs to be done. Inquiring minds... I suppose I had never understood the argument (until now) that friction is the cost of stability, which is of greater overall importance -- or that there is a compromise between the two. Given that, I can see why techs strive to have the right amount of friction -- since it is easy to measure and is a close correlate of rigidity. I always thought the argument was that somehow pianists like the feel of friction, which I don't think they do. But stepping outside the box, for a second, there's a problem of getting stuck in the groove of trying to optimize a technology that can only do just so much. Should we not be focusing on how to create tight, rigid, hard, frictionless, noiseless, easily serviceable bearings, rather than using the same ol' technology of packing an oversized wooden hole with enough padding to take up the slack and not be *too* heavy in friction, seeking to find the optimal comprimise the is the least of all evils? Bushing cloth may not be the best material! While hard bearings may be noisy, they are only noisy if they are loose. The problem with Steinway's Teflon blunder was the loosening of the Teflon in the wooden hole with humidity changes. Conceivably, with wear, there could also be a problem with noise and runout (slop), as the Teflon holes wear larger. Considering these things, wouldn't the best long-range solution be to figure out a way to fix the bushing mount problem -- to make the mount more resistant to deterioration from humidity changes and, moreover, make the bushings very easily, quickly, and cheaply replaceable? What if all the hammer bushings could be replaced in the course of a half hour, without the need for painstaking fitting and refitting? What if total replacement of bushings were done every, say, 5-20 years (depending on usage), at a cost to the owner of perhaps $100. Isn't that where we should be headed? > They are on that track today as well, with very low friction levels in > their hammershank flanges At least in New York they operate this > way. Hamburg is more traditional. Perhaps ol' Horowitz had some infuence on them, as their official spokesartist. ;-) Peace, Sarah
This PTG archive page provided courtesy of Moy Piano Service, LLC