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My wife is a piano teacher and for the first lesson, she goes to the
student's home to see what kind of a piano they have, how in tune it is,
how playable, what is the bench height, and how conducive the
environment is to practicing. If the student has a keyboard, she advises
getting a piano as soon as possible (which sometimes it isn't) or she
might discuss the condition of the piano (tuning, voicing, regulating,
repair).
Having a piano technician for a husband is not the norm, of course. We
both belong to the Music Teachers Association of Calif. and the board
has discussed having me as a presenter but so far haven't asked for my
input. There is widespread reluctance to peek behind the fallboard, I
think. Likely they are daunted by a piano's complexity and don't want to
spend the kind of time it would take to learn even the basics. I haven't
given up hope, though, and I'm working on ways of making the subject
palatable to the more technophobic. Maybe if teachers can understand a
little about what makes a piano tick (or, hopefully, not tick :-) they
would have more confidence to speak to parents about the pianos their
children are playing on.
Tom Cole
Vinny Samarco wrote:
> Hi Terry and List,
> As a pianist and teacher as well as new tuner, I can only offer the
> following insight.
> Perhaps, A, the teacher has never been to the student's house but the
> student has always traveled to the teacher. Or B, the teacher
> shouldn't be teaching piano.
> No wonder so many kids quit piano-having to play on such a terrible
> instrument.
> Vinny
>
> ----- Original Message -----
> From: Terry <mailto:terry@farrellpiano.com>
> To: pianotech@ptg.org <mailto:pianotech@ptg.org>
> Sent: Friday, December 24, 2004 6:45 AM
> Subject: Bad Student Piano Insight
>
> No doubt many of you have run across this situation before. This
> is about the third or fourth time I have seen such an extreme
> example of a student playing on a bad (major understatement)
> piano. This is the same family that asked me to find a nice used
> piano for them (see my other recent post).
>
> First time appointment with this family. Below are the grizzly facts.
> - 1950 Gulbranson spinet
> - typical worn 55-year-old cheap piano
> - 90 cents flat and, of course, way, way out of tune
> - reason they called piano tuner: plastic elbow on G5 broke
> - sustain pedal hasn't worked for months (ever since the flood)
> - Grandma gave them her treasured Gulbranson
> - student is 13 years old and has been taking lessons for six years
>
> Yes, for six years, this little girl has been practicing on this
> out-of-whack junker! And just for the record, there is no doubt
> these folks have disposable income to spare. But I did gain some
> insight into this situation from talking with the dad. He knows
> absolutely nothing about pianos (and stated so). His mother gave
> him the piano for the daughter to play and told him that it was a
> very high quality ("the best" she said) piano in excellent
> condition (they don't wear out, do they?). I am absolutely
> convinced that the guy really thought he was providing his
> daughter with a top-notch instrument that she could excel with.
> She wasn't playing it because daddy was cheap.
>
> As soon as I explained to him that in reality it was a medium
> quality piano 50 years ago, but is now worn out, and a spinet is
> far from optimal for a intermediate student, he readily agreed
> that he should ditch the piano and we started talking about how to
> shop for a replacement. He was instantly ready to upgrade. The
> information I gave him about his piano was completely brand-new
> stuff for him.
>
> I just thought I'd share that because it was a new experience for
> me. Previously, in these situations, I had assumed the parents
> were simply horrible people. Maybe not always.....
>
> One question remains though: why hadn't her piano teacher of six
> years said anything to the parents about the piano?
>
> Terry Farrell
>
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