This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Interesting post Ed. Are you simply moving the action in and out and = listening to the tone, or do you have some other slick techniques for = determining optimal strike points in various areas along the scale? Perhaps my ears are just not yet refined enough (likely enough), but = while I can easily hear MAJOR differences in tone in the high treble = when moving the action in and out, well, let's just say its not as = obvious to me in the lower registers of the piano. Terry Farrell ----- Original Message -----=20 From: <A440A@aol.com> To: <pianotech@ptg.org> Sent: Saturday, January 17, 2004 1:25 PM Subject: Re: S&S replacing Hammer Assemblies with new > Greetings,=20 > I have some serious reservations about using pre-hung hammers for=20 > STeinways. I have just finished installing a new action on a 1965 = model B and=20 > pre-hung hammers would have been a disaster. Why? Well, the strike = point for=20 > optimum tone on this piano varies by section, requiring a hanging = distance of 3 mm=20 > shorter at the top break! Had I just hung everything at 130 mm, this = section=20 > would have been dead. =20 > Maybe if a brand has control over their process, this sort of = variability=20 > wouldn't be a factor, but these are the hand-made "standard" of the = piano=20 > world but they don't lend themselves to standard assemblies. G0 = figure.=20 > Regards,=20 >=20 > Ed Foote RPT=20 > http://www.uk-piano.org/edfoote/index.html > www.uk-piano.org/edfoote/well_tempered_piano.html > =20 > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives > ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/7e/33/51/52/attachment.htm ---------------------- multipart/alternative attachment--
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