>> It's moving forward as well as up, as you say >>(or in other words it's moving perpendicular to a line between the strike >>point and the hammer flange center. > >Right, very good. Perpendicular to a line between strike point and hammer >flange center - universally, regardless of any other detail of action >setup. Most of the discussions about this sort of stuff are meaningless >because a lot of pertinent data is either assumed, or ignored. Is it the >direction of hammer travel that makes a difference in perceived power, or >the changes in rotational inertia, leverage, friction, flex, or >expectation that does it, if it is indeed done? Good question (or series of questions). >......... >>But you >>might be able to get pretty close. And the closer you get the more square >>the hammer tip is going to be traveling to the string at impact, which >>would seem to be a good thing. > >Seems like it should be a good thing, but would need a thoroughly >re-designed action under it, in a most likely different piano design that >makes room for the action to go in the piano. The question then is, would >the presumed goodness be enough (or at all) better in any or all ways to >justify all the trouble? Another $64 question. It's hard to imagine that the answer is yes. >>Also, a design of this sort would necessitate >>a shank that is way below parallel at strike. Would this be a bad >>thing? I don't >>see why it would need to be if the rest of the action were designed >>around it. > >I don't think of any reason it would. More concerns would become apparent, >I'm sure, as the action geometry was being worked out in detail. > > >>I've seen some old european pianos in which >>the keyframe and keybed are set up so that when you slide the action into >>the action cavity the action is low enough to clear the pinblock but as you >>push it back the action climbs up a ramp so that its final position is >>higher. I assumed it was one designer's take on this. > >Slick! I haven't seen that. Do you recall anything about the hammer to >shank angle on these? > >Ron N I see that I expressed myself badly. I should have said, I now assume it was one designer's take on this. Long ago, when I was young and foolish (I've expressed myself badly again - when I was less old and less foolish), I didn't assume anything and wasn't curious enough to take pictures or make mental notes. So, no, I don't recall. Phil Ford
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