> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ---------------------- multipart/alternative attachment on 5/14/04 3:04 PM, Cy Shuster at 741662027@theshusters.org wrote: David, I assume you're raising the keyframe in step 4? A bit. And deepening the aftertouch. A bit. In fact, that's how I do the adjustment sometimes--- by feeling the aftertouch increase and turning the glides past the "normal" point until the notch, or aftertouch, gets a little crisper and feels right. A quarter turn is a fairly big adjustment. Really? OK. Then a 1/5 turn. <g> Any thoughts why this works? Lotta thought, no clear answers. Lotta skeptical laughter and proto-derision when I tell other techs that I do this "extra-tight" bedding in flexible-frame Asian pianos. Then they try it. It just adds so much subtle resonance in the piano, especially in the so-called killer octave area to the top of the piano. Don't scoff until you check it out. I'd think a more-solid contact with the keybed would reduce energy loss and improve sustain. I think so too; my more engineer-type colleagues & friends don't buy that, but I really don't care why it works right now; it'd be interesting at some point to know why, but not necessary, for me, at any rate. ----- Original Message ----- From: David Andersen <mailto:bigda@gte.net> 4) bed the keyframe, then add an extra 1/4 turn to each glide bolt. Hope this helps; be good down there in the boondocks, Cy........ David Andersen ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/26/e2/56/da/attachment.htm ---------------------- multipart/alternative attachment--
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