I grew up with a Knabe baby grand which had french provincial type legs with rose carvings at the top and a beautiful wood veneer, cherry, I think. It had a rather heavyish action that more accomplished pianists didn't like. What it had was a full, round, almost bell-like tone that kept going and going and.... I've tended to measure pianos I've since met against it. I have yet to meet a Steinway (including Ds) that I preferred to it. I did meet a 7' Mason and Hamlin at Onofrio's in Denver that improved on my memories. Now that's subjectivism as a Sunday amateur pianist. I tend to prefer what some might term a "dark & moody" tone. I have no appreciation for harsh brilliance in a piano's tone. I tune a 7' Yamaha that to quote Guy, "sounds like a bucketful of glass". They've told me they don't want it voiced (very bad sonic environment and they equate the tone with power). As a learning tech I've come to appreciate the string scaling and smooth action of Yamahas (not their hammers). I've enjoyed some old Baldwins etc. Some ramblings, Andrew
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