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I never overpull except for the little roll towards the right on=
my SATIII. Up to A440 then I do it again...
David I.
----- Original message ---------------------------------------->
From: Dean May <deanmay@pianorebuilders.com>
To: Pianotech <pianotech@ptg.org>
Received: Thu, 11 Nov 2004 18:38:12 -0500
Subject: RE: A-440 and Ethics.
Of a semi tone, or half step
Dean
Dean May cell 812.239.3359
PianoRebuilders.com 812.235.5272
Terre Haute IN 47802
-----Original Message-----
From: pianotech-bounces@ptg.org=
[mailto:pianotech-bounces@ptg.org]On Behalf Of Farrell
Sent: Thursday, November 11, 2004 5:13 PM
To: Pianotech
Subject: Re: A-440 and Ethics.
"often bringing it 40-50% overpull. I used to bring it up to 100%=
overpull"
40-50% of what?
Terry Farrell
----- Original Message -----
From: Dean May
To: Pianotech
Sent: Thursday, November 11, 2004 1:22 PM
Subject: RE: A-440 and Ethics.
I=92ve done hundreds in the last 25 years, never cracked a plate,=
often bringing it 40-50% overpull. I used to bring it up to 100%=
overpull before RCT. I never bring up center strings first, then=
left strings, then right strings. I always start at one end and=
tune all strings as I go up.
I=92ve often heard about the =93danger=94 of crack plates by unbalanced=
tension. I dunno, maybe it can happen. But I=92ve never=
encountered it in pitch raises or in chip tunings on restringing=
jobs.
Dean
Dean May cell 812.239.3359
PianoRebuilders.com 812.235.5272
Terre Haute IN 47802
-----Original Message-----
From: pianotech-bounces@ptg.org=
[mailto:pianotech-bounces@ptg.org]On Behalf Of David Ilvedson
Sent: Thursday, November 11, 2004 12:08 PM
To: pianotech@ptg.org
Subject: Re: A-440 and Ethics.
Julia,
Why don't we ask the List if anyone has had a plate crack during=
a pitch raise. I've been working on pianos for 30 years and it=
has never happened to me.
David I.
----- Original message ---------------------------------------->
From: <Alpha88x@aol.com>
To: <pianotech@ptg.org>
Received: Thu, 11 Nov 2004 11:18:18 EST
Subject: Re: A-440 and Ethics.
Greetings,
Usually, when I get a tuning call, it is a piano=
which hasn't been kept up the tunings on. I always ask how long=
since it was last tuned. They usually don't know.. especially if=
they have taken in an "orphan" piano.
I do not like to raise the A4 pitch on any piano=
more than say 1/4 a tone or so, if it's been neglectd tunings.=
This is because I don't want to run the risk of cracking=
anyone's harp plate, let alone breaking strings. Especially on=
the little spinets, whose plates are 5/8" or less thick.
When I get to the house, I check the A-440 and it's=
octaves and get an idea of the overall tone of the piano; whrere=
it went flat the most. I always explain the concept of A-440 to=
the customer, and more times than not, it doesnt matter to them=
if its up to A-440 or not.
They just would like it in tune with itself. I also=
explain that pianos are designed to be tuned to A-440 for best=
results. (unless it is an extremely old, dry upright that's seen=
better days and wont let you even gradually take it up that far,=
even with subsequent tunings/loose pins or bridges coming off) I=
tune it the best I can get it, to sound at the A-4?? and suggest=
subsequent tunings so we can gradually get it there. They agree=
to a reminder card from me for follow ups ....say, 4 to 6 mo for=
the first follow-up. I also inform them that with each tuning=
the piano becomes more stable and to never let a piano go more=
than 2 years max.
On hearing these pianos, they are so, so neglected and=
out of tune, the piano always sounds better upon my departure,=
and thats all alot of folks want in order to start the kid's=
lessons, without paying "an arm and a leg". With customers who=
are more vigilant of how their piano sounds is another matter.
My tuning teacher used to say "As long as it sounds a=
lot better when you leave than from when you arrived".
Julia,
Reading, PA
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