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I am pretty sure I responded to your infomative reply to my question, =
but just in case I want to make sure so am writing again. Bear with me =
please.
I also suspect that the strings have nicks or indentations in them. the =
piano was about 10 cents flat. It had been moved from Calif to Ore =
within the last couple of months.
Is there any solution to this other than restringing? Any suggestions =
or additional info will be heartily welcomed.
Terry Jack
Eugene Oregon Chapt
----- Original Message -----=20
From: Piannaman@aol.com=20
To: pianotech@ptg.org=20
Sent: Wednesday, September 15, 2004 8:18 PM
Subject: Re: String challenge
I tuned a Baldwin H grand the other day with a similar problem. The =
piano hadn't been tuned for years, and was 30-50 cents flat. I wasn't =
having a problem with getting the string to move(solved pretty nicely by =
Protek, in my experience), but I was having a hard time moving the =
string to stay where it was supposed to in many cases. I'd get close, =
then "pop!" It would move up above or below pitch. I suspect that the =
strings have small indentations, nicks, or bends in all the wrong places =
as a result of being so far flat. =20
Could this be the case with your Schimmel? Did it require a =
significant pitch raise?=20
Dave Stahl=20
In a message dated 9/15/04 6:30:35 PM Pacific Daylight Time, =
kam544@gbronline.com writes:=20
At 4:52 PM -0700 9/15/04, TLJ wrote:=20
>... This is probably a very simple issue but I am at a total loss. =
Any=20
>suggestions will be appreciated.=20
Rendering strings is never a simple issue on pianos that have=20
exaggerated string deflection. By rendering I am speaking of=20
equalizing the tension in all segments of the strings.=20
I doubt the agraffes are necessarily your culprits in this matter=20
though, but rather the felt between the agraffes and the tuning =
pins.=20
Of course all the bearing points add to the overall difficulty.=20
I tune a couple of M&A BBs' with incredible deflection in that area, =
and it creates definite uncertainty in establishing stability,=20
especially when a pitch change is required.=20
There are some pianos a person just has to work at tuning, and there =
are some where the response of rendering and pin setting is a=20
marvelous experience.=20
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