This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment AF, Considering the spread of a fifth, it would seem to me that there would = be opportunity for higher partials to be all over the place with the = inharmonicity differences in wire. I.e., a plain wire and wound wire. By = my ears, the beats of the higher partials are no where near double = sometimes, but I haven't really got into it yet. I still don't see how = you use that beat speed to put the wire being tuned into your tuning = pattern. More info, please. Joseph Alkana RPT ----- Original Message -----=20 From: alan forsyth=20 To: Pianotech=20 Sent: Thursday, August 11, 2005 6:40 PM Subject: Re: newbie questions The beats are twice the speed so you can make a much more accurate = judgment as to the correctness of your interval. AF ----- Original Message -----=20 From: Joseph Alkana=20 To: Pianotech=20 Sent: Thursday, August 11, 2005 11:25 PM Subject: Re: newbie questions AF, And just exactly what would you discern from hearing the second, or = higher coincident partials? How would you make use of the information at = that point? Just curious. Joseph Alkana RPT ----- Original Message -----=20 From: alan forsyth=20 To: Pianotech=20 Sent: Thursday, August 11, 2005 2:57 PM Subject: newbie questions From Alan Barnyard's post: "5ths have such a slow beat that they = are hard for most to tune accurately, as a primary interval" It's much easier to use 5ths by listening to the second = intersection of partials and not the first. However you will have to = sensitize your hearing to discern that point. AF ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/cf/00/2a/5e/attachment.htm ---------------------- multipart/alternative attachment--
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