david@davidandersenpianos.com wrote: >No, it never is, due to the "Virgil Smith Phenomenon," the fact that there >are micro-incremental pitch shifts when you move one string of a unison, >then move others later. Unless and until you perceive these distortions, >and can compensate for them, you will never accomplish a truly master >tuning, suitable for performance or recording. > > I sat in the same class as David did on Sunday Morning of the Convention week. What I took home from that class has improved my tunings..no doubt. I haven't thrown the temp. strip away yet, but I only use it now for my temperament section. One thing needs to be said about Virgil: we all know that he has ears..but his technique floored me. Granted, he was working on a decent grand that was pretty close to begin with, but the man has chops beyond his ears. -Phil Bondi(Fl)
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