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Most detailed info is in the docs:
http://tunelab-world.com/downloads.html
In TuneLab version 2 (either pocket or laptop version; not 97), you =
simply select that option from the File menu (to create a new =
split-scale mode). Many other nice features in version 2.
In version 1, you have to trigger it by a certain combination of =
inharmonicity readings: measure only one pair of adjacent notes (at the =
biggest iH break, usually wound-to-plain), and measure at least three =
notes below and above that pair. It's in the Help for TuneLab. It =
really works pretty well.
There are some hand-optimized spinet tuning files on Robert's site, as =
well (on the Downloads link above).
There's a TuneLab users list on Yahoo:
http://groups.yahoo.com/group/TuneLab_Users
--Cy--
----- Original Message -----=20
From: Piannaman@aol.com=20
To: pianotech@ptg.org=20
Sent: Wednesday, May 04, 2005 9:26 AM
Subject: Tune Lab Pocket split-sclae mode...was re: Inharmonicity =
factors
In a message dated 5/4/05 6:01:58 AM Pacific Daylight Time, =
741662027@theshusters.org writes:
OK, that makes sense; smoothness in everything across the keyboard =
is what=20
we want. With TuneLab, I measure iH across the wound/plain string =
break to=20
determine when to use it's "split-scale" mode. Robert suggests that =
more=20
than a 20% jump in iH should trigger use of this mode.
To my surprise, I found a big jump there on a 1983 Yamaha U3, which =
I=20
thought should have a pretty good scale (since it's so big). =
Anything funny=20
with this particular scale? (See attached screenshot of iH).
Cy,
I have never used split-scale mode. I don't even know how to go =
there. Where do I find it?
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