> Ron, > That was a GIANT leap!<G> Joe, Not at all. Brash, perhaps, but essentially the same thing. > Theoretically, I would say yes. However, Brash > Failure can occur in a short period of time and sometimes not in many > lifetimes. At least, that's been my experience. I've seen pianos from your > neck of the woods, 50 years old and have major wood integrity failure. And, > I've seen pianos from Eastern Oregon that look and act like their brand > new! Yes, of course, we've all seen this stuff. You suggested breaking a (presumably typical?) 100 year old hammer shank, however, and finding brash failure. I don't know any reason the wood of the soundboard and bridges would be in any better condition than that of the shanks, do you? I realize that's not the point you were making, but thought it needed a dash of perspective in context. > Go figger. It's something to do with how the wood has been kept and > the original integrity of the wood, as well, IMO. The only consistency is a > total lack of consistency.<G> My general approach is: to not trust any wood > older than 50 years until I've worked with it and can make an assessment of > it's strength, etc. It's more of gut feeling than anything else. I have a > feeling you do the same, in one way or another.<G> > Regards, > Joseph Garrett, R.P.T. I find plenty of reason to not trust wood of any age without some assessment. I just wish I had ways to assess it more accurately. Ron N
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