Anne,
I would appreciate an info you could
share with me on how to perform an effective
restoration or re-manufacturing of these
instruments. I have 3 of them that are currently
holding the floor down in my shop. I really don't
know what to do with them. Is there any place
that you could steer me for more info?
Best,
Greg Newell
At 09:34 PM 8/28/2006, you wrote:
>It would appear that several list members have
>not experienced a properly restored and regulated 19th century Viennese piano.
>
>I can tell you that my clients, including for
>the 1879 in question, and for an 1860 7'
>Bosendorfer, which I just sold to a professional
>player in Washington, D.C., are discerning
>buyers who had visited many piano dealers around
>the country, including Steinway Hall in New
>York, new Bosendorfer dealers and so forth. One
>flew around in his company jet to visit pianos
>in the U.S.: the other traveled in both the U.S. and Europe in his search.
>
> They are WELL aware of what new pianos have to
> offer and they have rejected the glassy
> homogeneous sound, the overpowering too wet
> bass, the plastic finishes and severe boring
> case designs and the heavy late 20th century
> actions in favor of the clarity of 19th century
> scaling and structure and the fast supple
> Viennese actions favored by the great pianists of the 19th century.
>
>Remember, Liszt never played a Yamaha, or even a
>late 20th century Bosendorfer, or anything like them.
>
>I DO recognize that most Viennese pianos are in
>poor condition and at best poorly
>restored. There is a reason Viennese actions
>and Viennese piano design persisted up into the
>beginning of the 20th century. After that,
>their demise was a matter of political
>conditions and the resulting economic conditions
>paired with Steinway's aggressive marketing team, not because of inferiority.
>
>So, attack away Joe. I have a waiting list, so I'm not worried.
>
>Very best, Anne
Greg Newell
Greg's Piano Forté
mailto:gnewell at ameritech.net
www.gregspianoforte.com
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