=?ISO-8859-1?Q?Re:_Bridge_Seating_(was_Re:_Where_to_notch_a_bridge, &_relative_effects_?????_(Advice_sought)?=

David Ilvedson ilvey at sbcglobal.net
Thu Sep 7 23:25:24 MDT 2006


Ron,

Also...I think it is a real disservice to technicians, especially new ones, to express your phobia (I can't think of what else it can be?).   From your own words, "the notch edge has been crushed by the bridge expanding with humidity increase"....how is it you can decide that the crushed notches and bridge caps you see are from people seating the strings?   So your response to my post about tapping is "get the biggest hammer you can lift, and seat those strings as energetically 
as you possibly can. Use both hands. Drive them in really deep, and rest assured in the belief that you have rendered a 
miracle and corrected a situation that isn't demonstrably physically possible in the first place."????   Go ahead, Ron, recap that brand new piano, because that's where the problem is...while your at it redesign soundboard...but wait!   Why do that...it isn't going to last...

David Ilvedson, RPT
Pacifica, CA  94044


----- Original message ----------------------------------------
From: "Ron Nossaman" <rnossaman at cox.net>
To: "Pianotech List" <pianotech at ptg.org>
Received: 9/7/2006 8:39:31 PM
Subject: Re: Bridge Seating (was Re: Where to notch a bridge,& relative effects ????? (Advice sought)



>> IMHO...If I tap a string on a bridge (I tap in front of the bridge pin in the speaking 
>length)  and it moves down...how can it have not un-seated from the bridge?
>> 
>> David Ilvedson, RPT

>Extremely heavy, seemingly infinitely repeated sigh - because 
>the notch edge has been crushed by the bridge expanding with 
>humidity increase, pushing the string up the pin against both 
>the friction of side bearing, and pin slant. This has been 
>gone over on list more times than I have fingers and toes to 
>count, and way past my personal tolerance, in excruciating 
>detail. If you don't get it by now, please, get the biggest 
>hammer you can lift, and seat those strings as energetically 
>as you possibly can. Use both hands. Drive them in really 
>deep, and rest assured in the belief that you have rendered a 
>miracle and corrected a situation that isn't demonstrably 
>physically possible in the first place. You have my blessing.

>Over and out.

>Ron N


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