Shawn, One thing that you might consider communicating to either this or future customers that have difficult pianos for you is that you have very quick and firm access to some of the very best minds in your profession through this list. And, I bet there is hardly anyone ON this list who has not been through very similiar situations themselves. It's called the learning curve and it's a memorable experience!!! Always be honest with your clients as to your ability and experience level. Often they will work with you; but, only if you are upfront with them. You seem to have been upfront in this case. And, yes, you DID do the best you could with what you had at the time. Hang in there!! Robin Blankenship ----- Original Message ----- From: "John M. Formsma" <john at formsmapiano.com> To: <ron at berrypiano.com>; "'Pianotech List'" <pianotech at ptg.org> Sent: Thursday, September 14, 2006 4:59 PM Subject: RE: BAD, BADD, PIANO > I've found the same to be true with those named pianos in Mississippi. > > No, Shawn, I wouldn't go back either. You told them up front, and you did > the best you could. > > JF > > -----Original Message----- > From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On > Behalf > Of Ron Berry > Sent: Thursday, September 14, 2006 2:01 PM > To: Pianotech List > Subject: Re: BAD, BADD, PIANO > > I have found that any piano made in Richmond, IN (Starr, Jesse French, > Lagonda, Remington,etc.) will likely have a bad pinblock. They must not > have seasoned the wood well or used bad stuff. Maybe I just see more of > these because I live in Indiana. > > ron > >
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