Certainly different folks will get different mileage from various approaches, but I would respectfully beg to differ with your conclusion: "This is approaching a level of > design work that is just not practical for a one-off project." The very first piano I ever restrung, came to me with no strings. I had a string scale developed for me by David Sanderson. The piano was an old Estey microgrand which had plain wire unisons (or at least tri-cords) through to the end of the long bridge. David asked me if I would like to convert some of the presumed plain wire tricords to wound bicords, as that change would improve the scale. I said sure. So we did. I didn't recap - I think I just used the outer bridge pins and left the middle ones unused. I did have to remove/add a couple hitch pins - but even the first time with it, I don't think it took me but 20 minutes or so. And that's all there was to it. IMHO, VERY practical for a one-off project - and in this case, a fairly low-budget affair. Now if you already have a set of new bass strings, I realize that may affect the practical aspects of converting low tenor plain wires to wound, but then again, I would sure recommend looking at the scaling of those bass strings - sounds like some clown already did some "work" to this piano - I would think a close look at the scaling of the new strings would be in order anyway - you may find that things are in a pretty sorry state with them anyway. FWIW, I made more money 10 years ago when I was working as a hydrogeologist modeling groundwater contaminant transport. I chose to enter the piano technician profession. I wanted to be creative. I wanted to create beautiful things. I guess that's a large part of why I am generally very open to making changes in piano design if it can make a more beautiful product. Terry Farrell ----- Original Message ----- >I probably would not. Although, I would analyze the existing scale, with > the existing replacement strings. If I felt I could substantially improve > upon them, I might, but this would probably mean discarding the existing > bass strings entirely. If I were in the project to make money, I would go > with what I had. If you are in it for your own edification, by all means, > analyze and modify away. > > It wasn't entirely clear if the original scale included wound strings on > the treble bridge, only that there was a replacement set of wound strings. > To add wound strings where there had previously been plain wire, the treble > bridge would have to be at least partially recapped and repinned, not to > mention relocating and adding hitch pins. This is approaching a level of > design work that is just not practical for a one-off project. > > Frank Emerson > pianoguru at earthlink.net -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20060930/56e5b15a/attachment.html
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