I have found that iron wound strings from the 20's or so had a much more
biting tone than copper.
James
James Grebe Piano Tuning & Repair Member of Master Piano Technicians.
Registered Piano Technician of the Piano Technicians Guild for over 30
years. "Member of the Year" in 1989
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----- Original Message -----
From: "William R. Monroe" <pianotech at a440piano.net>
To: "Pianotech List" <pianotech at ptg.org>
Sent: Saturday, April 21, 2007 12:32 PM
Subject: Re: iron wound strings
OK,
Thanks for the input everyone. It seems there isn't much compelling reason
to NOT use Iron wound strings should the client really want that. Just
different tonally than copper wound strings. Ron N, Ron O, David A, Dale E,
any input?
Client says he really likes the tone of this old grand (probably original
hammers, and beat up action to boot). It's always fun to educate on what
the results of a restringing will be, i.e., "Yes, it will change the sound
of the piano, 'course, we could replace the hammers too. And shanks.
And..............."
Should be a good opportunity
William R. Monroe
----- Original Message -----
From: vince mrykalo
To: pianotech at ptg.org
Sent: Friday, April 20, 2007 8:39 PM
Subject: SV: iron wound strings
Everything I've read about iron wound strings suggest that the sound was
slightly better than copper, a little more body. The drawback was that they
went "dead" more quickly. And of course the salesmen touted copper
windings as being tonally superior, regardless whether they were or not.
pianotech-request at ptg.org wrote:
William,
Gregor Heller will surely make any basstrings you want
www.hellerbass.de
I once learned from an old factory chief that when iron wound string
became dumb you should just take down the tension to about zero and then
tune them up again.
It actually worked on a piano I tuned.
Aras
"William R. Monroe" <pianotech at a440piano.net> skrev:
Hi folks,
How about iron wound strings? I've a client with a rather old Baldwin
that
has iron wound strings, in need of a new pinblock/strings, etc. The
client
is interested in keeping the strings iron wound and I've never
replaced
irons wound with copper wound. Are there pitfalls to be aware of? What
kind of tonal difference would one expect if we were comparing new
iron to
new copper? I'd also be interested in arguments in favor of and
against
keeping them iron.
Many thanks,
William R. Monroe
Vince Mrykalo RPT MPT
University of Utah
"Minél több a változás, annál nagyobb az állandoság"
The more I learn, the less I know.
www.mrykalopiano.com
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