False beat eliminator

[Jason Kanter]

ANy mention of tapping or pounding strings down onto the bridge or near the
bridge pins is bound to generate one of three reactions: (1) silence; (2)
"read the archives"; or (3) a new upheaval of arguments about why that's a
bad thing (or not so bad) [bad because it mushes the clean termination
point; not so bad because the observer claims it to be so] and the
nanotechnology of the termination point, the tension/pressure dynamics on
the string, the bridge, the effect of adding mass here or there, yadda
yadda, and whether it is in fact even possible for the string to ride up the
bridge pins despite observers' claims that it happens. Until further
undisputable research is published, it is in my opinion worth staying clean
away from this as if it were a nest of vipers.

Jason

On 2/23/07, Gregor _ <karlkaputt at hotmail.com> wrote:
>
> >From: RicB
>
> >Yes I have used it.  No I do not think it really works at all.  In fact I
> >think this tool is more likely to exasperate a problem. You may get the
> >feeling of some slight improvement for very short term on some notes, but
> >IME the term is so short that by the time you finish a tuning if you go
> >back and check the same string its just as wavery as it was to begin
> with.
> >
>
> I asked the other day on this list what a false beat eliminator is. I
> understood that it´s a thing to hammer down (settle) the strings on the
> bridge again. If so, why should that not work? I use a flat bar of brass
> for
> it and it always works . Sometimes you can see how the string comes 1 mm
> down to the bridge. Are we talking about the same thing?
>
> Gregor
>
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