To all hammerheads
Now that Steinway innovation has once again screwed up there hammers
again, by filling them with some unspecified solution (I suspect plastic), I can
no longer use them to get the tone I was able to get before. With my favored
way of building tone It was necessary to start with a dark sound & build it
with lacquer which I humbly admit...I was pretty good at.
The last set of Steinway hammers I installed required about 100 needle
strokes a piece in the tenor region. This was a 70's German D.
I politely expressed my objections to Chad in the parts department &
returned two other sets. If you are unhappy with the current Steinway poduct
please politely express it to Chad & ask if the old version can be had as well.
David Hughes & I have done so already & have encouraged others to do the
same. As you all know ,I support anyone doing a good job in our industry who
provides us with the parts that we rely on & feedback in a positive form is
the only viable alternative to initiating manufacturing changes. imo
Long story short, I am just getting the preliminary results with a set of
the Bacon Felt hammers from Ray Negron at Ronsen. My test case is 1953
Steinway B with a VERY good original board. My first test hammers revealed a nice
dark tone & a huge amount of the sustain. Bingo...this for me is the best
place in the world to start. I always prefile before installiing but that's
all ...no pre needling or juicing.
When the internal friction of a given type of a felt is creating that kind
of sustain, for me , I know that I can develop a really powerful clear tone.
I think this is why David Love,Bruce Stevens & others are loving this
hammer. The old (Steinway) American co. felt when it was pressed right had these
same characteristics.
Any way I did proceed to use some lacquer in the bass & lighter solution
on my test hammers & the piano just came alive. Holy Cow!!! SO easy to get
the tone I was looking for. Classic Steinway Sound
The Bonus is I don't have to depend on the Mother ship for supplies of
hammers costing twice as much.
This felt isn't as soft as you may assume from my post & I suspect a
bit of filing with fine sandpaper & perhaps a bit of ironing will suffice to
develop tone further in many pianos & for many of you.
I will report as these hammers develop & as I use them on the next piano
which is a 1922 Steinway D in pristine condition with an amaazzingly well
preserved board.
Yes we have some out here in La La land. Eat your heart out!
Best to all
Dale
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