Actually, as long as the P-12th thread is up again... I've found that using 12th coincidents as your main weighting factor in a tuning lends itself very very nicely to getting two different pianos to sound not only wonderful individually, but as close to identical sounding note for note as I've ever managed. I regularly tune a Steinway C and a Yamaha CF111 together this way. With the slightest fudging, inter-piano unisons are not noticeably different from one another anywhere. Cheers RicB I have to tune a Walter grand and a Steinway B tomorrow in a studio. I use Tunelab. Any thoughts as to how you would go about that? thanks les bartlett
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