Actually, as long as the P-12th thread is up again... I've found that
using 12th coincidents as your main weighting factor in a tuning lends
itself very very nicely to getting two different pianos to sound not
only wonderful individually, but as close to identical sounding note for
note as I've ever managed.
I regularly tune a Steinway C and a Yamaha CF111 together this way. With
the slightest fudging, inter-piano unisons are not noticeably different
from one another anywhere.
Cheers
RicB
I have to tune a Walter grand and a Steinway B tomorrow in a studio.
I use
Tunelab. Any thoughts as to how you would go about that?
thanks
les bartlett
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