Same here. We learned a C3 to C4 temperament. The C3 to E3 major third was supposed to beat at the rate of 5 bps, or "Min-ne-a-po-lis," pronounced somewhat slowly, and the E3 to G#3 major third, at 7 bps, was the phrase "From Chi-ca-go to New York." The next contiguous major third, G#3 to C4, was at 9 bps, but there was no phrase anybody could say fast enough that was useful - we just listened for a 5-7-9 relationship between the three thirds. I still use it for roughing-in pitch raises or when tuning aurally. I purposely don't use the ETD now and then, just to keep the aural skills up. --David Nereson, RPT -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org]On Behalf Of William Benjamin Sent: Saturday, September 08, 2007 11:39 AM To: Pianotech List Subject: Re: pitch perception Ron, One internal memory that is ingrained in me is the speed of the first third: F-a. Jim Coolman first told me about: from Chicago to Mew York. As I know it is slower for shorter scales, that fraise has been ingrained in me for 30 years and always will be. William
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