At 21:20 -0500 19/4/08, kurt baxter wrote: >If you take patented steel wire beyond its elastic > limit, it will neck and break, perhaps right now, perhaps tomorrow > but very soon. > >The point when when you go from "elastic" to "plastic" is when the wire >permanently changes shape, never to return, right? Yes, and with patented wire this point is very close to the breaking point >So I would say that when a string bends around the tuning pin, and >for sure when it dives into the becket, it changes it's shape for good. > >If you slightly "kink" a wire, you have taken it to it's plastic >point... right? Yes and no. When you make the becket on the wire the part near the outside corner is weakened but the core and inside corner are, if anything strengthened by compression. >So if a "kink" type load can take the string beyond it's elastic >point without breaking, why not "stretching" type load? Also when the wire is initially coiled or when I straighten it for stringing or making bass strings it takes a permanent set. Exactly what stresses are involved I can't say, but experience suggests they are not detrimental. When I (or others) make bass strings I flatten the wire with a hammer and die to hold the copper at the ends. If a string is stretched to breaking point it will never break at the flattening but either at the eye or at the becket or some point of friction UNLESS there is a sharp angle at the ends of the flattened portion. When I had my first flatteners made 25 years ago, which I still use today, we got a chamfered end on the flattening that created too sudden a change from the flattening to the cylindrical wire and this caused a severe weakening. Once we had ground off and radiused the top corner to the die, there was no problem. These things do cause work-hardening and it's quite likely that the flattening process actually increases the tensile strength of the wire, but when we simply stretch the wire I think there is no work-hardening >Isn't there a big difference between "elastic limit" and ultimate limit? As I've mentioned before, some people use the manufacturer's UTS as the datum and take care not to strain the wire beyond 55% of this and others, like me and Paulello use another figure and and take care not to strain the wire beyond 70% of this. This allows a safety margin needed to take into account friction points, weakening through work (say at the eye) etc. From what I have read, the elastic limit of patented wire is almost coterminous with the breaking strain and there is no separate "yield point" below the breaking strain as there is with some other materials. In other words once plastic deformation begins the string is going to break, whereas with some other materials the wire would stretch (irreversibly) without breaking over a range of tensions between the yield point and the breaking strain. We are not concerned with such materials. The figures I use are as below, with the tension in pounds. 70% of this figure is what I do not exceed in designing bass strings -- so 283 lbs would be the maximum tension I'd have for a covered string with a No. 21 core. 12 0.725 174 12.5 0.750 185 13 0.775 196 13.5 0.800 207 14 0.825 218 14.5 0.850 229 15 0.875 240 15.5 0.900 251 16 0.925 264 16.5 0.950 276 17 0.975 288 17.5 1.000 300 18 1.025 314 18.5 1.050 326 19 1.075 339 19.5 1.100 339 20 1.125 371 20.5 1.150 387 21 1.175 405 21.5 1.200 421 22 1.225 439 22.5 1.250 455 23 1.300 479 23.5 1.350 504 24 1.400 532 24.5 1.450 570 25 1.500 609 25.5 1.550 660 26 1.600 726 JD -- ______________________________________________________________________ Delacour Pianos * Silo * Deverel Farm * Milborne St. Andrew Dorset DT11 0HX * England Phone: +44 1202 731031 Mobile: +44 7801 310 689 * Fax: +44 870 705 3241 ______________________________________________________________________ -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20080420/a451632e/attachment.html
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