Hey Jude I wouldn't worry about using laminated panels. There's a whole new world to be explored there. I wish sometimes I had more time to move in the direction of rebuilder/designer. As it is... the one board I <<designed>> was not only laminated but laminate crowned. Ribs were also crowned. The idea was to get extra crown support in the high treble of an old instrument to bring that area of this instrument more in line with modern times. And THAT part worked really quite well. The whole thing was a big time learning adventure. The fact that the whole thing actually came out ok in the end amazes me. I mention this because I decided to approach the project exactly as you mentioned in your last post. I wanted to change basically one thing... or at least as little as possible so as to be able judge the result better... focused. As it turned out I probably made one un-untended change... which had to do with knowing how much the panel was dried before ribbing. With hindsight I suppose I should have been able to see that the thing relied on much more compression then I allowed for. Since the bass area was really the only part affected by the lack of this compression support... I am able to compensate and end up with a usable result. More then usable really. But if I was to advise you .... I'd say go ahead and build an RC & S board.... but make sure the design is reviewed and checked by those what have good experience doing it.... unless you are off on a learning trail like I was and can afford to take the potential consequences of your...er.. lessons :) As for Laminate boards. After this one sortie of mine... I'm convinced the introduction of some crown to the laminate process has a lot of potential. I have a Chickering Quarter grand sitting waiting for me to start... :):)... Cheers RicB Yeah eventually there might not be enough wood for anything but laminated panels, but I have the same concern about laminated panels as I do about laminated ribs related to the horizontal shearing stress as these members are under compression. Now before anyone gets their nickers all tied up, I only know what Hoadley's told me. I think these structural members can be made well without incident and I'm glad there are more and more people doing it. I just want to experiment a little more and wait to see how these guys fare before I convince my customers to follow suit. Jude Reveley, RPT Absolute Piano Restoration, LLC Lowell, Massachusetts (978) 323-4545
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