Hi JD. I've heard Overs # 6 a laminated RC&S board (which strikes me as the best RC&S approach to date), and I've heard a Nossaman rebuild... both at Rochester. To my ears they both had fine voices.... particularly the Overs... but thats just my subjective ears at work. I also heard the Phoenix recently.... a kind of Stuart variant if you will with bridge agraffes a bit different then others I've read about. I thought it was rather strange sounding.... pleasant but lacking that initial explosion of sound and accompanying decay. Rather the initial attack was rather subdued and the decay was much more smoothly spread out. Some would no doubt love this kind of sound... I found it .... well pleasing yes... but limiting. Point is...to repeat.... there should be no question as to the viability of all three different approaches. They all work well. That fact should not in any way be a hindrance for anyone to try out different things and different materials. Quite the opposite really... Its just that it all gets muddied when folks start moving in the hopeless direction of <<this is soooo much better>> because of essentially the same blah blah blah marketing departments have been blowing out their behinds for as long as markets have existed. And make no mistake about it... the RC&S issue most definitely has its marketing side. Heck... these guys have to actually survive too :) I'd say build one.... I'm quite sure you'll enjoy the experience... heck you may even become a convert !! Cheers RicB Now my experience and taste suggest to me that the qualities I am looking for are closely connected to the state of compression of the soundboard. I am at a disadvantage in not having had direct contact or heard recordings made with pianos whose soundboards are made by variations of the "RCS" method. To say I am open-minded would be mildly hyperbolic, but I'd like to know where I can hear them on-line. My mind opens and changes very promptly when I get evidence to dispel my illusions. JD
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