I also do this very thing. Recently, one of our professors was rehersing for a concert when she told me the D felt like "swimming with your clothes on!". I checked the action and found the dip to be closer to 11.5mm. I hadn't checked the dip for quite some time (since last, very humid summer), and now check all pianos every time. She actually liked the key travel a bit shallower than I like (which is 10mm for me), so I've set it at 9.5mm with slightly less hammer travel and as high checking as it will allow. It still has all the power and feels pretty good to both of us. pw BobDavis88 at aol.com Sent by: pianotech-bounces at ptg.org 01/30/2008 06:56 PM Please respond to Pianotech List <pianotech at ptg.org> To pianotech at ptg.org cc Subject Re: Korean Dip On a performance instrument, I usually start without very much aftertouch, maybe .025-.030. Some pianists feel insecure without the resistance at the bottom, and for them, it's usually enough to put the hammer line up 2-3 mm and run the drop back up, which doesn't take long, and they don't usually notice the loss of power. There's usually not time in a concert situation to change the dip. Anyway, there's more going on than "safety factor." Bob D Start the year off right. Easy ways to stay in shape in the new year. -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20080131/cc71db71/attachment-0001.html
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