A consensus here is really meaningless in the end. Whatever gets the individual tuner there is what counts. Solid tunings have to do with being able to feel when the pin in the pinblock is where it needs to be to hold the pitch you are after. Its pretty much all in the arm and wrist. This holds whether you are a pounder or not. I've seen too many folks do great super stable tunings with way to many variant approaches to believe in any basic one approach any more. For my part I do I've developed a way of handling the pin so that the string tends to rise just a tad upon release. I try to avoid overshooting the actual string tension... but this kind of depends a bit on how well the string moves and gives over the bearing points... and to some degree what kind of tuning pin action the pin block allows for. Sometimes I end up with a kind of impact action with a standard hammer, sometimes I'm forced to a smooth over pull... but most often pulling up the exact target leaving just enough <<upwards>> tension on the pin to keep the string tension stable works best for me. Works in both directions... i.e. raising pitch or lowering. Cheers RicB I'm looking for a consensus of string tuning technique - bottom up or top down. bottom up - meaning the string is flat and you pull up to pitch or ifthe string is sharp, you over shoot the target pitch a little and tune up,. Top down - meaning if the string is flat, you over shoot the target pitch a little and tune down. I adopted the top down. -- Duaine Hechler
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