David Love wrote: > That’s interesting that you find the need to boost the tension in notes > 20 – 26. I find that I prefer to drop the tension slightly from note 20 > – 26 on Steinway pianos when compared with the original. In fact, I > find that the bichord section generally benefits from a reduction in > tension as you can see illustrated below. Combined with using a thinner > core wire dimension in the monochords (Ao is .051) makes for a nicer > bass response with much clearer pitch recognition. Likewise. I also haven't found a need to juice low bass hammers. Ron N
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