Ed & Dave: Thanks for trying to explain it. Maybe someday I will be exposed to the theory. On Fri, Feb 6, 2009 at 6:41 PM, David Andersen <david at davidandersenpianos.com> wrote: > Hi, Jeff---Here is what I know, based on empirical, practical evidence from > thousands of tunings: in a highly idealized equal temperament, the fourths I > can hear, usually from C1-F1 to around C6, are all expanded, and all beating > the same slow rolling beat---between 1-2 bps. All the fifths are slightly > compressed, with no discernible beat. I tune the ends of the piano with > double and triple octaves---in the treble, the double octave is usually > slightly stretched, with a barely discernible beat, and the triple octave is > beatless. In the bass, both double and triple octaves "appear" or sound > beatless. > David Andersen > > > On Feb 6, 2009, at 7:06 AM, Jeff Deutschle wrote: > >> Ed: >> >> I am confused. You say David is right "... The fourths and fifths stay >> the same rate all the way up and down the scale ..." but you also say >> "... fourths and fifths progress more slowly in the mid-range of the >> piano. ..." Well, are you saying that they stay the same or are you >> saying that they progress more slowly? >> >> Please don't think I am nit-picking your post. I have had this >> discussion with others and there is a difference between intervals >> beating the same and intervals appearing to beat the same. >> >> I do not get the Journal. There may be something that I don't >> understand about this. Maybe someone can steer me right. I understand, >> and can hear, how a certain octave stretch will keep the 5ths beating >> at the same rate. I do not understand, and do not hear, how this also >> can keep the 4ths beating at the same rate. Stretching octaves can >> prevent the speeding up of narrow intervals such as 5ths. How can it >> also prevent the speeding up of wide intervals, such as 4ths? When an >> octave is stretched, wouldn't all the narrow intervals be made less >> narrow and beat slower but all the wide intervals be made wider and >> beat faster? >> >> On Fri, Feb 6, 2009 at 9:05 AM, Ed Sutton <ed440 at mindspring.com> wrote: >>> >>> David's right. Because of inharmonicity and octave stretching, fourths >>> and >>> fifths progress more slowly in the mid-range of the piano. I suppose on >>> organs they follow the octave/double rule. >>> Read Dan Levitan's 2007-08 series to understand this. Plan on studying >>> for 2 >>> or 3 weeks and taking notes! >>> Remember that on piano we are tuning "Imitation ET," which is not the >>> same >>> as theoretically perfect ET. >>> >>> Ed Sutton >>> >>> ps I apologize for the blank messages. If you have Windows Vista with >>> erratic slowdowns, you know why. >>> >>> ----- Original Message ----- >>> From: David Andersen >>> To: pianotech at ptg.org >>> Sent: Friday, February 06, 2009 1:01 AM >>> Subject: Re: [pianotech] Do fourths beat faster? >>> Brother, I beg to differ. The fourths and fifths stay the same rate all >>> the >>> way up and down the scale---at least in idealized equal temperament, >>> which >>> what what I use. >>> David Andersen >>> >>> On Feb 5, 2009, at 9:43 PM, Scott Jackson wrote: >>> >>> Yep, every interval beats faster as you move up; by the time you reach an >>> octave higher, twice as fast. >>> >>> Scott Jackson >>> >>> >>> ----- Original Message ----- >>> From: Byron >>> To: pianotech at ptg.org >>> Sent: Friday, February 06, 2009 1:08 PM >>> Subject: [pianotech] Do fourths beat faster? >>> Do fourths beat faster as they climb chromatically? How about fifths? >>> >>> Thanks >>> >> >> >> >> -- >> Regards, >> Jeff Deutschle >> >> Please address replies to the List. Do not E-mail me privately. Thank You. >> > > > -- Regards, Jeff Deutschle Please address replies to the List. Do not E-mail me privately. Thank You.
This PTG archive page provided courtesy of Moy Piano Service, LLC