for recording or sound reinforcement? for live, although I don't like the sound, a condenser mic tight into a plate hole is pretty good with not bad isolation / feedback rejection. If that's problematic, try different plate holes or even close to the sound board from underneath, try various locations. Sometimes a dynamic instrument mic alone or in combination can help to "warm up" a nasty sounding club piano. for recording, try various good quality condenser mics in various positions until you ear tells you that the piano is best represented. "close mic'ing usually won't do a quality piano justice. Allow as much distance as track isolation will allow. ymmv Phil KeyKat88 at aol.com wrote: > Greetings, > > What is the best way to mike a piano? How many mikes > (optimally)? Where is the best location to put a mike in a piano? > (Jazz quintet The horns (sax and clar) overpower the piano.) > > > Thank You > Julia Gottshall > Reading, PA > > ------------------------------------------------------------------------ > Need a job? Find employment help in your area > <http://yellowpages.aol.com/search?query=employment_agencies&ncid=emlcntusyelp00000005>. > > ------------------------------------------------------------------------ > > > No virus found in this incoming message. > Checked by AVG - www.avg.com > Version: 8.0.237 / Virus Database: 270.11.5/1979 - Release Date: 03/01/09 17:46:00 > > -- /Artist Piano Care/ E X C E L L E N C E ~ F I N E LY T U N E D web: www.artistpianocare.ca tel: 416-907-3562 cel: 905-626-3727 phil at artistpianocare.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech_ptg.org/attachments/20090302/db2bced6/attachment-0001.html>
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