[pianotech] Action Ratios Recap

Nick Gravagne gravagnegang at att.net
Thu Jan 14 10:45:54 MST 2010


Sure thing, David.

 

Been following this short thread RE SBR and RLA.

 

I know you already understand this, but for starters, the Action Ratio
(AR), or Transmission Ratio per Pfeiffer, is only one thing regardless
of whether one focuses on weight or on distances that the parts move
(mostly) upward. Weight or distances are simply the inverse of each
other, and thus any "instantaneous" investigation at any point in the
keystroke / hammer rise should not be understood to isolate one from the
other.

 

For example, an AR of 5.5 implies a 5.5 to 1 ratio, meaning that a
keystroke of 1 mm will cause a hammer rise of 5.5 mm; and 10 mm dip
causes a 55 mm rise in the hammer. Pfeiffer understood that, strictly
speaking, losses occur, but he deemed them not serious enough for our
purposes.

 

But inversely, weights (specifically the downweight and hammer head
weight) are now a 1 to 5.5 ratio (1/5.5 = 0.182), meaning that a 50 gram
weight on the key end can only support or "balance" a 9.1 gram hammer.
That is, 50 x 0.182 = 9.1). 

 

So we see that as the 5.5:1 distance ratio (also a speed and
acceleration ratio) takes a small movement at the key end makes it
proportionally larger and faster at the hammer, the inverse weight ratio
drops from 50 to 9. Both ratios are two sides of the same coin. In
addition, any change made to one ratio affects the other, although
inversely and proportional.

 

By now, we should all know and accept the half-stroke as an average in a
constantly changing ratio, as long as we all agree. The significant
interface of the jack to knuckle (small lever arm that gets smaller) is
the primary reason for any notable change in leveraging throughout the
key stroke. The half stroke also implies that only at the half stroke
will the 5.5 to 1 or 1 to 5.5 ratios be most accurate in terms of any
yielded calculated data.

 

At the beginning of the stroke, when the lever arm at the jack/knuckle
is the longest, the AR will be the smallest (say 4.846 to 1) and the
inverse weight yields a 10.3 gram hammer head; but at the completion of
the stroke (letoff out of the EQ) the AR could be as high as 6.167 while
the inverse weight at the hammer is now only 8.1 grams.

 

Notice that to average the extremes (ARs at 4.85 + 6.17 = 11.02 and this
divided by 2 averages out to 5.5). Likewise, the 10.3 and the 8.1
hammers add up to 18.4 and this divided by 2 brings us back to a 9.2
gram hammer average (plus a little rounding).

 

Having said this, which I think should be fairly well known to students
of action technology, I am not fully up on the Stanwood SBR thing,
although I recall reading some posts on this several months ago.

 

David, can you briefly fill me in.

 

Thanks

 

 

Nick Gravagne, RPT

Piano Technicians Guild

Member Society Manufacturing Engineers

Voice Mail 928-476-4143

 

  _____  

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On
Behalf Of David Love
Sent: Thursday, January 14, 2010 8:52 AM
To: pianotech at ptg.org
Subject: Re: [pianotech] Action Ratios Recap

 

Except that the weight ratio also changes through the keystroke.  And
then why would the relationship between SBR and RLA vary (assuming it's
not just a measurement error)?

 

David Love

www.davidlovepianos.com

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On
Behalf Of Porritt, David
Sent: Thursday, January 14, 2010 7:43 AM
To: pianotech at ptg.org
Subject: Re: [pianotech] Action Ratios Recap

 

OK, I hope this is somewhat better than just a guess, but it might not
be.  

 

The actual ratio changes as the keystroke goes through its motion. Yet
both of these measurement systems measure weight or lever length
(depending on which system you are using) as a static measurement.  They
will come up with different answers because neither method takes this
varying ratio into account.  The SBR method interpolates the weight
ratio by calculating how much lift will be generated by so much down
pressure.  The RLA interpolates the ratio by measuring lever arms that
are actually changing through the keystroke.

 

I don't think either system can be 100% accurate with the tools we have
to use, yet for all practical purposes both are probably accurate enough
for our purposes.  

 

dave

 

David M. Porritt, RPT

dporritt at smu.edu

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On
Behalf Of David Love
Sent: Thursday, January 14, 2010 9:20 AM
To: pianotech at ptg.org
Subject: Re: [pianotech] Action Ratios Recap

 

Nick:

 

Thanks again for this further clarification.  The next logical step will
be defining the specific relationship between this particular approach
(ratio of lever arms or RLA) with Stanwood's SBR.  While I use both in
"fixing" problem actions, the exact relationship is somewhat ill defined
and I end up doing them separately.  Since the distance measurement is
better, IMO, at removing measurement error as a variable it would be
nice if the relationship between RLA and SBR could be more clearly
defined.  Stanwood has recently posted some information on the RLA/SBR
ratio in terms of >, = or < 1.  But my question here would be why does
it not equal 1 every time and what is the functional explanation as to
why variations in that particular ratio might make a difference.    

 

David Love

www.davidlovepianos.com

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On
Behalf Of Nick Gravagne
Sent: Tuesday, January 12, 2010 12:12 PM
To: pianotech at ptg.org
Subject: Re: [pianotech] Action Ratios Recap

 

To all that have followed this thread:

 

After revisiting the recent exchanges RE action ratios it is occurs to
me that too much emphasis has been placed on aftertouch (AT).  

 

To briefly recap, Pfeiffer's stated relationship of

 

EQ 1:    W / S = the product of the RAs / EAs was my beginning point.

 

This basic relationship was also restated in reverse as: 

 

EQ 2: (keyout/key in) x (wippen out/wippen in) x (shank out/shank in) =
(blow distance - letoff) / (key dip-aftertouch).

 

Both formulas imply the same thing; that the ratio of the leverage arms
as configured in the key, whip and hammer shank will always be reflected
in the key dip as it relates to hammer rise at the point of letoff. We
do not have a single term or expression for "hammer rise at the point of
letoff".

 

What I did was to rearrange Pfeiffer's EQ 1 and solve for S, which is
dip, regardless of AT; which is what the term (key dip-aftertouch)
implies.

 

EQ 3:   S = (V x Ra x N x W) / (H x Rs x K) 

(*See below for factor designations)

 

EQ 3 example with assigned values was S = (245 x 67 x 18.25 x 44) / (126
x 94 x 141) = 7.89

 

What this states is that 7.89 mm of dip is required to raise the hammer
44 mm. AT begins the moment that the jack tender makes contact with the
letoff button and completes when the key bottoms out on the punching.
But for the sake of these relationships it is proper to focus on the
amount of dip required to raise the hammer to the point of letoff. Thus,
the ratio of the (key leverages) to that of the (engaged dip and related
hammer rise) will be equal. In the case above, 44 / 7.89 = 5.58, and
this equals the Action Ratio. And so, the leverage ratio = 5.58, and
this ratio is reflected exactly in the ratio of hammer rise to key dip,
without regard to AT.

 

Now why bother to think this way? Because it encourages us to remember
that any changes made to the key leverages are going to be reflected in
the dip; and this dip is going to be required to raise the hammer the
required distance to the point of letoff.

 

RE Aftertouch: in the above EQ 3 example, factor S (or calculated dip)
equals 7.9 mm. Thus if total regulation dip is not to exceed, say, 10.7
mm, then AT must fully occur by using up the difference between required
dip (S) and the limit of 10.7. The difference is 2.8 mm. Clearly this is
plenty; in fact the regulated dip would likely be less than 10.7. 

 

David Love wondered if an informative relationship can be found RE a
useful ratio or percentage of overall hammer rise (OHR as calculated
without regard to letoff) as it relates to standard blow and dip specs.
Or stated another way, how many mms are required after S has been
achieved to safely complete AT. I feel certain the relationship can be
uncovered.  

 

RE Pfeiffer in general: no useful understanding of Pfeiffer's work can
be had until the overall goal of his work is appreciated. At the drawing
board, and when designing new actions from scratch, Pfeiffer sought to
create a conjugate (gearing) relationship of the six levers in question
(two in the key, two in the whip, and two in the shank). In brief, this
conjugate relationship is intended to minimize friction by creating a
"rolling" rather than "sliding" friction at half-stroke and thus
"minimize the slide path" of the contacting profiles (capstan, whip
heel, etc.)

 

For most modern actions today, the layout of the balancier and knuckle
prevent such conjugation from taking place, at least at that interface.
But the Langer action as appears in Pfeiffer's book The Piano Hammer
(page 110) admits of such an arrangement due to the flattened and
re-angled top portion of the balancier; ditto RE the Bender action page
84. There is a ton more which could be said of Pfeiffer's work.

 

***********************************************

 

Designations per Pfeiffer: 

 

W = (hammer travel - let off)

S = (key dip required to lift the hammer to the point of letoff)

 

H = rear key lever arm resistance (key out)

Rs = whippen lever arm resistance (whippen out)

K = hammer lever long arm resistance (hammer out)

 

V = front key lever effort (key in)

Ra = whippen lever arm effort (whippen in)

N = hammer lever short arm effort (hammer in)

 

Nick Gravagne, RPT

Piano Technicians Guild

Member Society Manufacturing Engineers

Voice Mail 928-476-4143

 

  _____  

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