Jim, Let's not forget you've got a cushy full-time job at BYU...'-] A little freebie stuff and here and there is easy... David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: "Jim Busby" <jim_busby at byu.edu> To: fg at floydgadd.com; pianotech at ptg.org Received: 1/22/2010 6:08:02 AM Subject: Re: [pianotech] Incremental Upright Regulation >Floyd, >I'm 99% sure someone will blast me for saying this, but on the first visit I do all the >work possible to bring it up to snuff even if I don't charge fully for it. When I have a >new client I try to leave the next slot open, and if I am there 3-4 hours, fine, but I >want to leave knowing the piano is dang good! Of course, this precludes any >remedial work like key bushings, etc. but in general I can usually do a pitch raise, lost >motion, letoff, dip, tighten screws, clean, and other things. I try to do "wholesale" >changes where possible (i.e. raise the BR instead of add punchings to raise key >height) but I'm very fast at this and work with a list (attached). Here's the rub, and >where people blast me; I don't charge much extra for the work, but a small amount. >(Oh no! But you gotta charge! You are going to mess up everything for us all if you >don't charge $100.00 to pull out the pencil!) >Why, you say? When I leave that first visit I want the piano to be good so that I >KNOW I won't have to do remedial work the next time, or the next time... I want the >customer to be ecstatic that their piano is SO good. I want them to know (I tell >them!) that they would normally be charged out the wazoo for this, but that I do >this as a service, knowing that they are committing to at least one tuning per year >from then on. It's partly for me, partly for them, and I only spend about 1-2 hours >more than I would have anyway! Overall effect, priceless. I think this has been part >of the key to my success. I turn down clients all the time now, selecting only the >ones I think might be the best clients and passing others on to someone else. (Yeah, >I do tune more Steinways, and more grands now) >And about the pencil, I've never NOT received a tip or other compensation on the >next visit. But, to clear up something, I DON'T consider it "advertising". I'd do it for >free. I'm NOT going to charge someone to remove a pencil, unless it's way out of the >way, or if they're idiots and I don't want their business anyway. I do a lot that I >never get paid for and won't accept money for. But I also have a very loyal clientele >that pay me well, and a waiting list. I always try to give my clients a bit more than >they expect. I charge more than others in my area, but my clients sometimes give >me tips as well. Go figure... someone will reward you for doing good work? Wow, >what a concept. >As for your comments (below) I point it out to people as I go; "Feel this... see/hear >that..." and never belittle former technicians, but try to show them the maximum >potential of their piano. If they truly can't see or feel a difference either you're not >doing something right, or you're not showing them. Sometimes you have to point >things out. Show them that they're getting value. But most importantly, have a >great time and treat each person like they are your best client. Life is good! >Jim >(Flame suit on.) >From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf >Of Floyd Gadd >Sent: Thursday, January 21, 2010 10:52 PM >To: pianotech at ptg.org >Subject: [pianotech] Incremental Upright Regulation ><<<<The only hesitation I have with this approach is the fact that the customer >doesn't see really noticeable improvement in the feel of the piano from this first >installment, and noticeable change is a powerful selling tool for future work.>>>> >Comments? >Floyd Gadd >Manitoba Chapter
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