I'd like to add one comment to this, André is dead on, I maintain a C7 in a recording studio that fits his description exactly. But the critical thing I have seen too much of in New Orleans, in rather constant high humidity, is that often the tuning pins are borderline tight, and a couple of times too loose to tune. If these same pianos went to a highly variable environment, Boston for example, they might become untunable very quickly. If they were restrung and had new shanks and hammers they could be acceptable pianos at a reasonable price. --Dave André Oorebeek wrote: > > If we look critically at these instruments I would say that their > weakness is in the bass strings and the hammers. > The bass strings are often dull and the hammers look nice but are old(er). > The one who pays for the re-conditioning process is responsible for > the end quality, not the repair factory as they do what they are told > to do and often for a price which is very low. >
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